POST-INTERNET APPROPRIATION

Appropriation in Post-Internet Art explores the notion of appropriation as an artistic strategy particularly evident in the post-internet era. As Nicolas Bourriaud suggests in his book Postproduction. Culture as Screenplay: How Art Reprograms the World, the notion of postproduction reflects a new cultural landscape in which much of the artworks are produced from pre-existing cultural forms, which are ceaselessly reinterpreted, reproduced, and re-exposed.
The project is developed around artistic practices and concepts that highlight appropriation as a creative method, enhanced by the internet, including notions such as circulationism, compilation , détournement, glitch, postproduction , readymades , transformation, subversion , and versioning . These notions are defined and contextualized with quotes and art projects that translate and illustrate their meaning. Assuming the online context as a privileged context for appropriation, the project's website explores variability in the presentation of content, creating an allegory of the multiplicity that characterizes appropriation as a creative practice.
It thus seeks to incorporate appropriation as a creative method, highlighting its relevance in creating critical discourses about the Internet as a medium, and about its massive impact on contemporary culture.

Project by: Ana Raposo, 1st year,
Professors: Luísa Ribas (Project II)
Pedro Ângelo(Lab II)
Master’s in Communication Design
FBAUL 2022/2023

Work cited: Life Sharing: "https://anthology.rhizome.org/life-sharing";
Nine Eyes of Google Street View: "https://anthology.rhizome.org/9-eyes";
Nasty nets: "https://anthology.rhizome.org/nasty-nets";
Nasty nets: "https://anthology.rhizome.org/nasty-nets";
Sunset: "https://rhizome.org/editorial/2010/nov/01/sunset-2007-hector-llanquin/";
Search by Image: "https://www.artsy.net/artwork/sebastian-schmieg-search-by-image";
Artist Looking at Camera: "https://www.artforum.com/print/201409/in-search-of-the-art-of-guthrie-lonergan-48701";
Monster Movie: "http://https//www.artsy.net/artwork/takeshi-murata-monster-movie";
The Collapse of PAL: "https://www.artsy.net/artwork/rosa-menkman-the-collapse-of-pal";
Postproduction: "https://anthology.rhizome.org/dispersion";
Image Objects :"https://anthology.rhizome.org/image-objectshttp:";
The Shredder:"http://https//www.marknapier.com/portfolio/shredder/";
The Revolving Interne: "https://anthology.rhizome.org/the-revolving-internet"";
One Terabyte of Kilobyte: "https://anthology.rhizome.org/one-terabyte-of-kilobyte-age";
Mouchette: "https://anthology.rhizome.org/mouchette"";
VVEBCAM: "https://anthology.rhizome.org/vvebcam";
SCREENFULL: "http://https//anthology.rhizome.org/screenfull"
Data Diarie: "https://anthology.rhizome.org/data-diaries-2003";
The Others 2011: "https://0100101110101101.org/the-others/;
Super Mario Movie: "https://coryarcangel.com/things-i-made/2005-001-super-mario-movie"";
Versions:"https://anthology.rhizome.org/versions;"

Readymades:

1- already made, prepared, or available.
2- available right away; not needing to be specially created or devised.

Image source: Net Art Anthology and Archive Rhizome

Project:

Image source: Net Art Anthology and Archive Rhizome

quote: